It's been a long stretch of depressing games about the misery and fundamental corruption of the human condition. It's enough to make anybody depressed. Let's see if we can't lighten the mood with some good old-fashioned kids on adventures. That's right, at long (
) last, it's time to start in on:
Further Afield is the first (and so far only) for-pay supplement for Beyond the Wall . Published earlier this year, it expands Beyond the Wall's Scenario-based play into material suitable to a long-term campaign. It covers world-building, expanded rules for character progression, travel, and exploration, and adds a new system in the form of Threat Packs . Threat Packs are a bit like large-scale Scenario Packs, except that they dictate the course of events over the length of the campaign, rather than setting up a single adventure. If you've played Apocalypse World or its descendants, you'll recognize a lot of Fronts' DNA in Threat Packs. This book gives us four: the Blighted Land, the Grey Prince, the Imperial City, and the Vengeful Wyrm. We'll talk about those later, but first let's dive into the Shared Sandbox approach to campaign building.
Holy shit, Saxons!
Further Afield recognizes three basic structures for building a campaign: there's the traditional campaign where the GM does all the work of world-building and drops the players in. There's the zero-prep option of just running multiple Scenario Packs back-to-back (possibly even returning to the same Pack from time to time, since different rolls on the random tables can produce very different stories). And finally, there's the shared sandbox, where the GM shares world-building authority with the players. As you've no doubt guessed from the title of this section, that's the one Further Afield focuses on.
The chief advantage to this approach is, of course, a much higher level of player buy-in. Since the players are coming up with major locations to populate the world themselves, it's safe to assume that they'll be excited to go explore the adventure hooks at those locations. The downside is that you can lose that sense of mystery and discovery, for the very same reason. Fortunately, Further Afield has us covered.
To start the shared sandbox process, the GM takes a blank piece of paper (or the campaign worksheet that comes with the book) and places the characters' home village in the center. Then you go around the table and let each player roll 1d8 to determine what kind of location they'll be placing on the map. It might be a Major City (and here we're talking like Rome or medieval Paris), a Source of Power (like a sacred stone or a wizard's tower), or maybe a Monster Lair. At this point you're not mapping things out precisely, so the player should just specify a general direction and an approximate distance from the village (near, moderate, or far; roughly 20-40 miles away, 40-80 miles away, and more than 80 miles, respectively). Exactly how many of these you create depends on how many players you have and how long the campaign is intended to go, but the recommendation is two per player.
So what's involved in creating a major location? The d8 roll gives you a broad archetype, but the player needs to flesh that out a little bit with a description and a hook. Maybe that Monster Lair is the home of a local river goddess and she's been flooding out of season, or maybe that Human Settlement far to the south is the home camp of a raiding tribe who are attacking the outlying farms. Character playbooks and Scenario Packs can provide inspiration here; lots of them have vague mentions of mysterious places that make great fodder for this step. Finally, the player decides whether her character has seen this location herself, heard about it in rumors from travelers or local gossips, or learned about it in old stories or books. This comes into play in the next step.
Once everybody has created their major locations, each player gets an opportunity to add a little embellishment to one of another player's locations, then the GM commences with fuckery. For each location created by a player, the GM rolls a secret Intelligence (for learned about locations), Wisdom (for seen locations), or Charisma (for heard about locations) check for the character. The results of the check indicate how accurate the character's knowledge of the site is, ranging from "hilariously off-base" (the "ghosts" are just old man McGuillicuddy trying to scare people away!) to "not only completely accurate, but here's another hook for you." This is how Further Afield deals with keeping that sense of mystery alive in a shared sandbox game, and it's one of my favorite mechanics in the book. You do have to be mindful of what, specifically, the player is excited about and not be a dick by rug-pulling that, but it really adds a nice bit of tension when the party starts exploring the map.
The rest of sandbox creation is the group kibitzing, tying things together, figuring out what Threat Packs might apply to the setting, what the characters' motivations for adventuring are, and stuff like that. Figuring out where the party wants to go first is also advised, so the GM can prep for the first adventure. If languages are going to be an issue in the campaign, this is also when you start nailing down the languages spoken in the campaign world. Finally, there's this nice little sidebar:
As an interesting play variant, consider making an actual session of gameplay around the creation of the map and its major locations. Begin the session with the characters in a safe space, like the local inn, and have them tell stories to one another in character while they make the map. This can really drive home to the players just how inaccurate their stories about the major locations might be; it is much easier to remember that Gareth’s tale around the fire about seeing figures in the ruins might be sketchy than it is to remember that John, the player, was not necessarily right when he made up a campaign detail.
The GM can even award experience after such a session, giving 500 xp or so to the players and a bonus of 100 xp to the teller of the most popular story.
Example Region: Golden Oak Wood
A bright and leafy forest with only light undergrowth and several small streams throughout, the Golden Oak Wood is rumored to be an ancient home of the fae and travelers often find themselves lost under its eaves. Lord Ashspear’s keep once stood on the outskirts of this forest, and history records the forest as the site of an ancient temple to the Horned God. Both could be locations within the region.
We have made this region by adding two additional encounters to the generic woodlands region found on p.73.
There are numerous paths through the woodlands. However, if characters leave the path and go into uncharted territory, this region counts as difficult terrain. Game is plentiful here, giving a +2 bonus to hunting and foraging checks.
Encounter Chance: 1 in 6
1d8 Golden Oak Wood Encounters
- 1 Lost! Make a Wisdom check to find the way or lose a day wandering aimlessly.
- 2 Turned around. Make a Wisdom check or exit from a random hex edge instead of where you thought you were going.
- 3 Deep ravine. Make a Dexterity check to get across or everyone takes 1d4 damage. If you have beasts of burden, also make a Wisdom roll to get them across or lose a whole day.
- 4 Deceptively deep water. Make a Strength check or the guide takes 1d6 damage and loses an item to the current. If you have beasts of burden, also make a Wisdom roll to get them across or lose a whole day’s travel trying to find another way.
- 5 Cursed campsite. Make an Intelligence check or face a minor spirit of anger at night.
- 6 Bear attack. Make a Wisdom check or be surprised by an angry bear.
- 7 Goblin hunting party. Make a Wisdom check or be surprised by 1d6 goblins with an orc leader.
- 8 Faerie. Make a Charisma check or anger a local faerie. Use the stats for the sprite on p.95 of Beyond the Wall and Other Adventures.
If the players do lead the GM totally off track and decide to head off in the other direction and explore a major location that has not yet been developed, the gamemaster can be upfront with them. There is nothing wrong with saying, “Folks, I know this is supposed to be a sandbox and you should be able to go wherever you want, but I just don’t have that location ready. I really do have some good ideas for it though, and I want to do them justice. Could we agree to adventure somewhere else tonight and then head toward that other location next week?”